America’s second opera house announces best results + MORE

 

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concerto

Edinburgh Festival 2014, Alison Jackson: A Story in the Public Domain (La Trashiata), review: 'a damp squib' + MORE

Artist Alison Jackson has brought her first "opera", in which celeb lookalikes mouth along to famous arias, to Summerhall on the Edinburgh Fringe. Laura Barnett is unimpressed.... More »
opera news

What exactly am I listening to - the vexed question of cuts and editions in live performance + MORE

Gwynneth Jones as ElektraOn Sunday night Richard Strauss's Elektra was performed at the BBC Proms (see my review). The title role was sung (Elektrifyingly) by Christine Goerke who is an experienced stage Elektra and sang off the book. The version of Strauss's Elektra that we heard was the standard o.... More »
opera

Figaro up close and personal + MORE

Opera Up Close returns with a new small scale production, what is promised to be a lively updating of Mozart's The Marriage of Figaro. Directed by Sarah Tipple the new production has just started a run at the King's Head in Islington which goes on into November. The production will be sung in a new .... More »
strings

Magda Olivero obituary + MORE

Italian prima donna with one of the longest careers in the history of operaThe Italian prima donna Magda Olivero, who has died aged 104, had one of the most remarkable careers of the 20th century, above all as a leading exponent of the often-derided art of the verismo soprano. The post-Romantic real.... More »
singer

Belgian orchestra appoints ‘cheapest’ manager + MORE

Our friends at Resmusica tell us that the Royal philharmonic orchestra of Liège has a new general manager. His name is Daniel Weissmann and his prior experience is with two rather provincial orchestras in France. But that was no drawback. According to official sources, what got him the job was »s.... More »

I feel incredibly honoured to have presented BBC New Generation Artists on BBC Radio 3 for the past four seasons. It’s inspirational to get to know so many exceptionally talented young instrumentalists, singers and chamber ensembles so early in their careers, and gratifying to be able to watch closely as they grow and develop during the two years they spend on the scheme…

Continue Reading On www.classical-music.com »

Handel – Siroe

– www.planethugill.com

Handel - Siroe Handel Siroe; Yosemeh Adjei, Anna Dennis, Aleksandra Zamojska, Gottingen Festival Orchestra, Laurence Cummings; Accent Reviewed by Robert Hugillon Jun 14 2014 Star rating: 4.0Lovely dramatic feel to Handel’s rarely done 1728 operaHandel’s 1728 opera Siroe has not, so far, done well on disc so this new recording on the Accent label is most welcome…

Continue Reading On www.planethugill.com »

  Mahler: Symphony No 8.Soloists, Philharmonia Voices, Tiffin Boys’ Choir,Rodolfus Choir, Philharmonia Orchestra, Esa-Pekka Salonen (conductor), Royal Festival Hall, London, 26.6.2014. (JPr)   Judith Howarth (soprano): Magna Peccatrix Elizabeth Llewellyn (soprano): Una Poenitentium, Gretchen Lucy Crowe (soprano): Mater Gloriosa Karen Cargill (mezzo-soprano): Mulier Samaritana Justina Gringyte (mezzo-soprano): Maria Aegyptiaca Robert Dean Smith (tenor): Doctor Marianus […]

Continue Reading On www.seenandheard-international.com »

Fairy-tale Magic of the Vocal Sort in Frankfurt

– www.seenandheard-international.com

 Dvorak: Rusalka, Soloists, Opera Frankfurt Chorus, Frankfurt Opera and Museum Orchestra, Johannes Debus (conductor), Opera Frankfurt, Frankfurt am Main, 28.06.14 (RP)  Cast: Rusalka:  Karen Vuong The Prince: Zoltán Nyári The Foreign Princess: Tanja Ariane Baumgartner Water Gnome: Mischa Schelomianski Jezibaba, the Witch:  Katharina Magiera First Wood Sprite: Nora Friedrichs Second Wood Sprite: Elizabeth Reiter Third […]

Continue Reading On www.seenandheard-international.com »

Ahead of the streaming of Glyndebourne’s production of Mozart’s Don Giovanni, Rupert Christiansen picks the Festival’s most memorable Mozart productions

Continue Reading On www.telegraph.co.uk »

The product of a collaboration between composer/guitarist George Heathco and soprano/lyricist Misha Penton, Ravens and Radishes is a song cycle for guitar, cello, and voice that takes inspiration from classic fairy tales and, unlike the recent film Maleficent, recasts them in a new and interesting light instead of, say, ruining them.

Continue Reading On www.newmusicbox.org »

How can they see with sequins in their eyes?Worried about the future of opera in America? Don’t be! Lyric Opera of Chicago’s most recent crowing press release outlines a simple method by which any opera company can stay in the black!
Step One: Choose a limited repertoire concentrating on chestnuts of the 19th century. Don’t program anything earlier than Mozart or newer than Madama Butterfly (one of the company’s two 20th century works last season; the other was Rusalka…

Continue Reading On parterre.com »

In music, “ground” is a term that refers to an underlying bass pattern over which a melody is laid. Minneapolis resident Brad Peterson has added a new layer of meaning to that term, composing a “Lawn Mower Opus in G” over the drone of a…yep, you got it.

Continue Reading On minnesota.publicradio.org »

Bach's "two- and three-part inventions" are familiar to every piano student. On a new disc, they're performed by one of the leading young pianists of today. Simone Dinnerstein's new album is on this week's New Classical Tracks.

Continue Reading On minnesota.publicradio.org »

America’s second opera house announces best results

– www.artsjournal.com/slippeddisc

America’s second opera house announces best resultsThe Lyric Opera in Chicago has enjoyed a happy season.
Ticket sales rose to $28.8 million, up from $26.6 million in 2013.
Of 284,440 tickets sold, 67,485 were purchased by first-timers.
Lyric also beat its $23.6 million annual fund-raising goal by $100,000.
Anthony Freud, formerly of Welssh National Opera, is running a good ship…

Continue Reading On www.artsjournal.com/slippeddisc »

Philharmonia/Salonen review  true pianissimo and roof-raising climaxesRoyal Festival Hall, LondonEsa-Pekka Salonen held together the gargantuan forces of Mahler’s Eighth Symphony for a balanced interpretationMahler’s Eighth Symphony brought the Philharmonia’s season to a close in a performance under the orchestra’s principal conductor, Esa-Pekka Salonen. Though it was a canny promoter rather than the composer himself who called the piece the "Symphony of a Thousand", the gargantuan forces involved here the statutory eight soloists, the combined Philharmonia Voices and Rodolfus Choir, plus the Tiffin Boys’ Choir amply filled the platform and choir stalls…

Continue Reading On www.guardian.co.uk »

English National Opera tightens reins as 58 groups lose Arts Council fundingEngland’s theatres, orchestras, galleries and museums learn how much Arts Council England will be giving them in 2015-18English National Opera is to have its regular public funding cut by £5m a year, one of the highest-profile losers in a high-stakes day of funding announcements which saw hundreds of arts organisations told of their settlements for the next three years…

Continue Reading On www.guardian.co.uk »

Gelb’s Ring was box-office poison: the stats

– www.artsjournal.com/slippeddisc

Gelb’s Ring was box-office poison: the statsThe Wall Street Journal has been analysing the Met’s box-office take on recent productions. The widely-scorned and technically faulty Wagner Ring cycle, staged by Robert LePage, bombed on its return run, achieving just 48 percent of sales potential for Siegfried and 58% across the entire cycle, according to the WSJ…

Continue Reading On www.artsjournal.com/slippeddisc »

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