Dance with Talk Doesn’t Quite Come Off + MORE

 

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maestro

Live from Salzburg - Don Giovanni Sunday + MORE

LIVE direct from Salzburg Mozart Don Giovanni  Sunday 3/8 6.30 London time (7.30 Salzburg time) BRILLIANT CAST Lenneke Ruiten (Donna Anna) Anett Fritsch (Donna Elvira) Valentina Nafornita (Zerlina) Ildebrando D’Arcangelo (Don Giovanni) Luca Pisaroni (Leporello) Tomasz Konieczny (Il Commendato.... More »
conductor

SFBayView.com: 'Pianist Stephanie Woodford, 18, one of 173 worldwide chosen to attend Grammy Camp' + MORE

Stephanie Woodford and her mother at the piano Photo: Lance Burton, Planet Fillmore CommunicationsSan Francisco Bay ViewJune 28, 2014by Lance Burton, Planet Fillmore CommunicationsThere’s no shortage of Black citizen profiles of personal success.One bright profile of a San Francisco community.... More »
opera

It’s a good career + MORE

Music Director James Levine (pictured, right) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him. Writes director Richard Eyre in his blog on the Met’s website: The orchestra will be added on Monday and when that h.... More »
virtuoso

Thunderous Ovation for a Last-Minute Substitute       + MORE

 Weber, Mozart, Shostakovich: Francesco Piemontesi (piano), Cleveland Orchestra, Brett Mitchell (conductor), Blossom Music Center, Cuyahoga Falls, Ohio, 20.7.2014 (MSJ)  Weber: Overture to Der Freischütz Mozart: Piano Concerto No. 27 in B-flat major Shostakovich: Symphony No. 5 in D minor The Cle.... More »
symphony

WAC Board Chair Doubles Down On Crazy Comment + MORE

The 10/8/2014 edition of The Washington Post published an article by Geoff Edgers that examines the ongoing Atlanta Symphony Orchestra (ASO)/Woodruff Arts Center (WAC) lockout. Of particular interest is the response from WAC Governing Board Chairman Douglas Hertz to questions about whether or .... More »
Semperoper, DresdenSchumann – Kinderszenen, op.15Bunte Blätter, op.99: selectionSchumann – Sonata in A major, D 959I expect limited sympathy from readers elsewhere, but a sadness of London musical life is that Radu Lupu hardly ever seems to visit. Prior to this concert in Dresden, I had heard him once ever, and that as a concerto soloist…

Continue Reading On www.boulezian.blogspot.com »

Vienna Philharmonic attacked by opera chief for ‘reluctant’ denazificationIoan Holender, former head of the Vienna Opera, has launched an extraordinary assault on the orchestra for dealing with its Nazi past only when it is absolutely forced to do so. Holender said he had never felt any positive desire on the part of the orchestra, and particularly its chairman and official historian Clemens Hellsberg, […]

Continue Reading On www.artsjournal.com/slippeddisc »

Caccini's L'Euridice

– www.planethugill.com

Caccini's L'Euridice Giulio Caccini – L’Euridice: Rinaldo Alessandrini, Concerto Italiano: naive Reviewed by Robert Hugillon Apr 18 2014 Star rating: 4.0Vivid live performance of one of the first ever operasOpera as we know it seems to have been invented around the turn of the 16th century in Florence. Thanks to an element of controversy with two different composers staking some claim, we have two of the earliest operas surviving as published musical texts…

Continue Reading On www.planethugill.com »

Dance with Talk Doesn’t Quite Come Off

– www.seenandheard-international.com

 Various Composers, If Play Is Play…: HeadSpaceDance, Royal Opera House (Linbury Studio Theatre), London, 16.04.2014 (J.O’D) Two Dancers: Christopher Akrill and Gemma Nixon Choreography: Johan Inger Music: ‘Silouan’s Song’ by Arvo Pärt Costume Designs: Sabine Lemaître Lighting Design:Simon Bennison Before the Interval Dancers: Christopher Akrill, Clemmie Sveaas, Jonathan Goddard Choreography and Sound Design:   Luca Silvestrini […]

Continue Reading On www.seenandheard-international.com »

Puccini Manon Lescaut Rattle Westbroek Baden Baden

– classical-iconoclast.blogspot.com

The very idea of the Berliner Philharmoniker playing Puccini operas  should raise a wry smile when one thinks of the orchestra’s magnificent past.  But why not? Their artistry gives this Manon Lescaut a musical grandeur not often heard in an opera house. Sometimes, shifting the walls between sub-genres in music can be a good thing…

Continue Reading On classical-iconoclast.blogspot.com »

In CNN segment on YouTube, pianist Roy F. Eaton compares his experiences as an advertising executive of color to the TV series 'Mad Men'A CNN segment on YouTube allows pianist Roy F. Eaton to compare his personal experiences as a pioneering advertising copywriter and music director of color to those depicted in the television series Mad Men on http://www.amctv.com/:My “15 minutes” extendshttps://www.youtube.com/watch?v=Pb03Cx1l4JM&list=UUupvZG-5ko_eiXAupbDfxWw Love,Roytinyurl…

Continue Reading On africlassical.blogspot.com »

Sergio A. Mims: Lawrence Brownlee stars in "I Puritani" at the Metropolitan OperaLawrence BrownleeSergio A. Mims writes:I know you will be interested in this of course.SergioAmanda Ameer:Throughout his career, tenor Lawrence Brownlee has astounded critics and fans alike with the beauty of his voice in the bel-canto repertoire. Starting…April 17, audiences can experience his gifts live at the Metropolitan Opera when he appears alongside Olga Peretyatko in Bellini’s I Puritani…

Continue Reading On africlassical.blogspot.com »

Semperoper’s Ariadne auf Naxos:an Estimable Pleasure

– www.seenandheard-international.com

 Strauss, Ariadne auf Naxos: Soloists, Staatskapelle Dresden, Omer Meir Wellber (conductor). Semperoper, Dresden, 15.4.2014 (MB) Cast Music-Master – Markus Butter Major-Domo – Friedrich-Wilhelm Junge Lackey – Peter Lobert Officer – Michael Auenmüller Composer – Barbara Senator Tenor/Bacchus – Burkhard Fritz Wigmaker – Matthias Henneberg Zerbinetta – Romy Petrick Prima Donna, Ariadne – Marjorie Owens Dancing […]

Continue Reading On www.seenandheard-international.com »

Mass walkout on San Diego Opera board

– www.artsjournal.com/slippeddisc

Mass walkout on San Diego Opera boardThe president, Karen Cohn, walked out of yesterday’s crisis meeting. She appears to have quit. Around 20 others on the 50-strong board failed to show. The chief executive and artistic director Ian Campbell also made an exit, though he still holds his two jobs. The new acting president is Carol Lazier, who recently gave $1 […]

Continue Reading On www.artsjournal.com/slippeddisc »

Adams: The Gospel According to the Other Mary review  'Unlike anything in the choral repertoire'O’Connor/Mumford/Thomas/Bubeck/Los Angeles Master Chorale and PO/Dudamel(Deutsche Grammophon)When it received its UK premiere at the Barbican in London a year ago, John Adams’s "passion oratorio" came across as one of the most striking of his recent works. Like the earlier nativity oratorio El Niño, to which it’s a companion piece, The Gospel According to the Other Mary is intended for both the concert hall and the opera house the Barbican performance was staged by Peter Sellars, who also compiled the libretto, which presents the passion story from the point of view of Mary Magdalene and her sister and brother, in the process drawing parallels with political and social movements today…

Continue Reading On www.guardian.co.uk »

Not forgettable: Górecki’s final symphonyHenryk Gorecki Gorecki, Tansman & Stravinsky: Julian Rachlin, London Philharmonic Orchestra, Andrey Boreyko; South Bank Centre Reviewed by Hilary Gloveron April 12 2014 Star rating: 4.5World premiere of Henryk Gorecki’s fourth and final symphonyAlexandre Tansman with his first wife Anna Eleonora BrocinerThis memorial concert has been a long time in the planning but was worth the wait…

Continue Reading On www.planethugill.com »

Miami-based chamber chorus Seraphic Fire and Chicago’s Spektral Quartet joined forces Wednesday night for an even rarer pairing — two quite different versions of the same work, Haydn’s “Seven Last Words of Christ on The Cross” — essentially performed at the same time.

Continue Reading On www.suntimes.com »

For her most recent commissioning project, composer and pianist Joann Cho invited a large group of composers to write a solo piano piece for her and asked them to write their piece “for children.”

Continue Reading On www.newmusicbox.org »

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