Don Quichotte at San Diego Opera + MORE

 

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symphonies

CBSO/Rattle/Donohoe review a euphoric reception for the returning conductor + MORE

Symphony Hall, BirminghamSimon Rattle brought nobility and urgency while Peter Donohoe played as if visited by the spirit of RachmaninovBut for the vision and tenacity of Simon Rattle, Symphony Hall and its stunning acoustic would not have come into being and the City of Birmingham Symphony Orchestr.... More »
classical music

What exactly am I listening to - the vexed question of cuts and editions in live performance + MORE

Gwynneth Jones as ElektraOn Sunday night Richard Strauss's Elektra was performed at the BBC Proms (see my review). The title role was sung (Elektrifyingly) by Christine Goerke who is an experienced stage Elektra and sang off the book. The version of Strauss's Elektra that we heard was the standard o.... More »
aria

On the Air This Week + MORE

Highlights from July 15 to 22 Thursday, 3 pm hour: Regional Spotlight: Imogen Cooper plays Schubert, from a Chopin Society recital. Friday, 8 pm: Minnesota Orchestra: Mozart and Rachmaninoff. Sunday, 6 am: Pipedreams: From the Mailbag. Sunday, noon: From the....... More »
recitals

Kings Place Festival: Borodin, Tchaikovsky... and Timber + MORE

The Brodsky Quartetphoto credit: Eric Richmond Borodin, Tchaikovsky, Michael Gordon; Brodsky Quartet, percussionists from the Aurora Orchestra and Royal College of Music; Kings Place Festival Reviewed by Hilary Gloveron Sep 14 2014 Contrasting pair of concerts with Russian chamber music and Mi.... More »
maestros

Mozart’s Women – Part One + MORE

Review – Mozart Opera & Concert Arias (Karina Gauvin, Les Violons Due Roy, Bernard Labadie) Over the last few weeks I have been throrougly enjoying two recital discs from opposite ends of the performance spectrum but both highly recommended. The first is by Karina Gauvin, perhaps better kn.... More »

A royal entertainment returns to Versailles

– www.theglobeandmail.com

Toronto’s Opera Atelier to stage Persée almost 250 years after it was performed in the palace for Marie Antoinette

Continue Reading On www.theglobeandmail.com »

New Classical Tracks: 'Goosebumpy to the Max'

– minnesota.publicradio.org

The latest disc from Anne Akiko Meyers features Vivaldi's classic of Baroque music — played on a remarkable violin. Anne says that it's an exciting combination. It's on New Classical Tracks this week, and you have a chance to win a copy of the CD.

Continue Reading On minnesota.publicradio.org »

London Contemporary Music Festival Celebrates Bernard ParmegianiBritannia House, a large building just off Brick Lane in London’s East End, used to be a carpet factory. March 20-23, 2014, it was the trendy host to the London Contemporary Music Festival’s retrospective of the works of Bernard Parmegiani, an obscure but very cool experimental composer who died last year…

Continue Reading On www.icareifyoulisten.com »

Alex Ross On Interpreting Wagner

– www.the-wagnerian.com

Alex Ross On Interpreting WagnerThe always worth reading Alex Ross in discussion with Todd Morman at the Indy Week.Ross has been exploring Wagner’s deep, broad cultural influence—he pays close attention, for instance, to what he calls “Black Wagnerism,” the affinity felt by people like W.E.B. Du Bois for Wagner’s work. The INDY spoke with Ross about Wagner, race and modern opera; an edited transcript is below…

Continue Reading On www.the-wagnerian.com »

Showcase for chamber music

– www.theaustralian.com.au

THE Australian Festival of Chamber Music is returning to Townsville in August.

Continue Reading On www.theaustralian.com.au »

Sometimes it feels like the winter will never end. It’s April 15, I just had my lawn aerated, put down seed and fertilizer in the front yard a few days ago, and I woke up to snow yet again. After a speedy commute on the Go Train listening to one of my favorite podcasts, I taught my vocal lit class at the Royal Conservatory, where one of the students in my class did a presentation on Debussy’s Quatre Chansons de Jeunesse…

Continue Reading On collaborativepiano.blogspot.com »

Almanac: Paul Hindemith on technique

– www.artsjournal.com/aboutlastnight

“The true work of art does not need to wrap any veil of mystery about its external features. Indeed the…

Continue Reading On www.artsjournal.com/aboutlastnight »

The Portland Baroque Shines Brightly

– www.seenandheard-international.com

 Sheidt, Nicolai, Biber, Buxtehude, Weichlein, and Johann Christoph Bach, Portland Baroque Orchestra, Monica Huggett, artistic director and violin, Stephen Stubbs, chitarrone, Harry van der Kamp, bass, Vancouver Playhouse, 11.4.2014. Scheidt: Canzon super intradam æthiopicam a 5 Buxtehude:’ Ich bin eine Blume zu Saron’ (Song of Solomon 2:1-3) Nicolai: Sonata for three bass viols Biber: Rosary […]

Continue Reading On www.seenandheard-international.com »

Boston: Practice Sessions

– www.newmusicbox.org

Keeril Makan’s Letting Time Circle Through Us and Bernard Rands’s Concerto for Piano and Orchestra (with pianist Jonathan Biss) premiered in Boston.

Continue Reading On www.newmusicbox.org »

What American composer better embodies the spirit of the day than Irving Berlin? His music has graced innumerable Hollywood offerings from "White Christmas" to "Annie Get Your Gun." This week on Flicks in Five, Lynne Warfel celebrates Irving Berlin.

Continue Reading On minnesota.publicradio.org »

Lying About Hitler: Why Historians Reject Nazi Opera Conspiracies—and Why We Must Follow their ExampleEvery book has its target audience. The question is as to what the target of Nazi opera conspiracy books might be. It is likely to be an audience interested in opera, music and art history. It is likely to be a popular audience interested in the history of the Holocaust, some of whom have heard that it was caused by an opera composer—one who either deserves to be justly hated as the Holocaust’s root cause, or amongst Neonazi’s, revered for it…

Continue Reading On thinkclassical.blogspot.com »

Don Quichotte at San Diego Opera

– operatattler.typepad.com

* Notes * The last performance of the 2014 season at San Diego Opera was the matinée of Don Quichotte on Sunday, April 13. This may well have been San Diego Opera's final offering, complete with a Save San Diego Opera demonstration outside and capacity attendance inside. The production is a revival of the one at San Diego Opera in 2009…

Continue Reading On operatattler.typepad.com »

A new piece by Chinese-American composer Zhou Long was part of the programme in the latest chapter of this transatlantic musical exchange

Continue Reading On www.ft.com »

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