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Mike Wheeler comes face to face with Orff's Carmina Burana.... More »
Maestro Stephen Layton and the Holst Singers bring new life to Handel's 'Israel in Egypt', as Classical MPR's Choral Stream Producer Tesfa Wondemagegnehu reports from London..... More »
“Truth to Power”: That’s the name of a festival the Chicago Symphony is offering from May 22 to June 5, with the idea of highlighting “music’s ability to connect people and harness the power of shared experience,” and to “inspire justice and fairness..... More »
If you are of the belief that Show Boat can stand on its own as a classic score and thus doesn’t need the trappings of musical production, you’ll love the New York Philharmonic’s “semi-staged” production. Conductor/director Ted Sperling presents the Jerome Kern/Oscar Hammerstein classic as.... More »
Jason Bridges & Sarah TynanPhoto credit: Johan Persson Hans Werner Henze Boulevard Solitude:Welsh National Opera : Wales Millennium Centre Reviewed by Hilary Gloveron Feb 9 2014 Star rating: 4.0Henze's re-working of the Manon story, in a production linking to Puccini's Manon Lescaut, also in .... More »
Though lip service (if not actual airtime) is given to a whole host of musical traditions from Tejano to bluegrass to opera, Album of the Year and Record of the Year (for a single) are still the most important Grammy awards and are inevitably given to commercial popular music, making all the other awards somehow feel like consolation prizes.
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When listening to Hyperion Records’ new disc of the music of Julius Isserlis, it proves impossible to separate what you hear from the experiences of its composer. Isserlis, pictured here with his grandson, the cellist Steven Isserlis, was born in what is now Chișinău in Moldova, then part of Russia…
Continue Reading On entartetemusik.blogspot.com »
The San Francisco Contemporary Music Players are beating all other local concert presenters to the punch, in a big, big way: their upcoming Sweet Thunder Festival, scheduled for April 24-27 at Fort Mason, will include first Bay Area appearances (I believe) of the JACK Quartet and International Contemporary Ensemble, aka ICE…
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There were, it seemed, enough trumpets to serve Gabriel throughout eternity – and, as fanfares go, this one was stretching a point and then some. LSO On Track had commissioned it from Sir Peter Maxwell Davies and true to the spirit of this enterprise seeking to field young musicians of mixed abilities alongside players from the London Symphony Orchestra Fanfare: Her Majesty’s Welcome commandeered its battalions of extra wind from the nearby Guildhall School and gave “Her Majesty”, and us, an earful – the kind of public racket that would easily be heard all the way over in Buckingham Palace…
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Synchronize your watches for 2015 and get your cars revved up to 88 mph! A musical adaptation of "Back to the Future" will be opening in London’s West End next year, the 30th anniversary of the Robert Zemeckis-directed film that starred Michael J. Fox.
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LONDON (Reuters) – Roald Dahl’s “Dirty Beasts” poems have a musical cadence which may explain why, after the success of stage versions of “Matilda” and “Charlie and the Chocolate Factory”, three of them are being set to music to introduce young people to the orchestra.
Continue Reading On www.reuters.com »
“In her first role in a play, Ms. Fleming will make her debut at the [Williamstown Theater Festival] in Living on Love, a new comedy from the Tony-winning writer Joe DiPietro (Memphis), adapted from the Garson Kanin play Peccadillo. Ms. Fleming will play an opera diva at odds with her husband over the people they’ve hired to ghostwrite their autobiographies…
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A 1715 Stradivarius violin, valued in “the high seven figures,” was snatched from the arms of Frank Almond, a violinist in the Milwaukee Symphony Orchestra, after a concert this week.
Continue Reading On www.nytimes.com »
Maxwell Davis: Fanfare: Her Majesty’s WelcomeBrahms: Violin ConcertoWalton: Symphony No. 1London Symphony OrchestraJanine Jansen, violinAntonio Pappano, conductorAntonio Pappano is only an occasional collaborator with the London Symphony, but he works well with the orchestra. He delivers plenty of fire and passion, and is often extreme with his tempos and rubato…
Continue Reading On orpheuscomplex.blogspot.com »
There were two items of note this week related to ticket pricing strategies. First up is The Metropolitan Opera (The Met), which released data detailing large losses in the wake of dynamic pricing initiatives that ushered in a wave of price increases.
Although The Met reversed the decision during Q1 2013, the damage was done and when the fiscal year was complete, they reported average attendance fell to 79 percent capacity, producing a nasty little drop in ticket revenue…
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