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IPHIGENIE en Tauride was one of Gluck’s greatest triumphs, its dramatic power generated by the music and emotional conflicts..... More »
The 10/8/2014 edition of The Washington Post published an article by Geoff Edgers that examines the ongoing Atlanta Symphony Orchestra (ASO)/Woodruff Arts Center (WAC) lockout. Of particular interest is the response from WAC Governing Board Chairman Douglas Hertz to questions about whether or .... More »
The 10th edition of Second Movement's rough for opera returns to the Cockpit Theatre, Gateforth Street, London, NW8 8EH on Monday 17 November 2014 with new opera from Timothy Cape and Sam Wilson, Jenni Watson and Caroline Wilkins. Second Movement's scratch night for opera provides a wonderful opport.... More »
Donizetti's L'Elisir d'Amore in Rome, enjoyed by Giuseppe Pennisi.... More »
Through his Teeth - Linbury Studio, 7 April 2014
The laws of statistics suggested that if the Royal Opera House tried out enough new operas, sooner or later one would work. After an endless train of inept, underbaked or just plain boring efforts they've finally hit paydirt with Luke Bedford.... More »
Though lip service (if not actual airtime) is given to a whole host of musical traditions from Tejano to bluegrass to opera, Album of the Year and Record of the Year (for a single) are still the most important Grammy awards and are inevitably given to commercial popular music, making all the other awards somehow feel like consolation prizes.
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When listening to Hyperion Records’ new disc of the music of Julius Isserlis, it proves impossible to separate what you hear from the experiences of its composer. Isserlis, pictured here with his grandson, the cellist Steven Isserlis, was born in what is now Chișinău in Moldova, then part of Russia…
Continue Reading On entartetemusik.blogspot.com »
The San Francisco Contemporary Music Players are beating all other local concert presenters to the punch, in a big, big way: their upcoming Sweet Thunder Festival, scheduled for April 24-27 at Fort Mason, will include first Bay Area appearances (I believe) of the JACK Quartet and International Contemporary Ensemble, aka ICE…
Continue Reading On irontongue.blogspot.com »
There were, it seemed, enough trumpets to serve Gabriel throughout eternity – and, as fanfares go, this one was stretching a point and then some. LSO On Track had commissioned it from Sir Peter Maxwell Davies and true to the spirit of this enterprise seeking to field young musicians of mixed abilities alongside players from the London Symphony Orchestra Fanfare: Her Majesty’s Welcome commandeered its battalions of extra wind from the nearby Guildhall School and gave “Her Majesty”, and us, an earful – the kind of public racket that would easily be heard all the way over in Buckingham Palace…
Continue Reading On www.edwardseckerson.biz »
Synchronize your watches for 2015 and get your cars revved up to 88 mph! A musical adaptation of "Back to the Future" will be opening in London’s West End next year, the 30th anniversary of the Robert Zemeckis-directed film that starred Michael J. Fox.
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LONDON (Reuters) – Roald Dahl’s “Dirty Beasts” poems have a musical cadence which may explain why, after the success of stage versions of “Matilda” and “Charlie and the Chocolate Factory”, three of them are being set to music to introduce young people to the orchestra.
Continue Reading On www.reuters.com »
“In her first role in a play, Ms. Fleming will make her debut at the [Williamstown Theater Festival] in Living on Love, a new comedy from the Tony-winning writer Joe DiPietro (Memphis), adapted from the Garson Kanin play Peccadillo. Ms. Fleming will play an opera diva at odds with her husband over the people they’ve hired to ghostwrite their autobiographies…
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A 1715 Stradivarius violin, valued in “the high seven figures,” was snatched from the arms of Frank Almond, a violinist in the Milwaukee Symphony Orchestra, after a concert this week.
Continue Reading On www.nytimes.com »
Maxwell Davis: Fanfare: Her Majesty’s WelcomeBrahms: Violin ConcertoWalton: Symphony No. 1London Symphony OrchestraJanine Jansen, violinAntonio Pappano, conductorAntonio Pappano is only an occasional collaborator with the London Symphony, but he works well with the orchestra. He delivers plenty of fire and passion, and is often extreme with his tempos and rubato…
Continue Reading On orpheuscomplex.blogspot.com »
There were two items of note this week related to ticket pricing strategies. First up is The Metropolitan Opera (The Met), which released data detailing large losses in the wake of dynamic pricing initiatives that ushered in a wave of price increases.
Although The Met reversed the decision during Q1 2013, the damage was done and when the fiscal year was complete, they reported average attendance fell to 79 percent capacity, producing a nasty little drop in ticket revenue…
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