Latest from Alexandre Tharaud + MORE Nov 16th
Latest News & Posts
The Government of Andalucia has said it won’t renew Pedro Halffter as music director in Seville after public disquiet about the size of his salary, which is three times that of the state president. There are also questions over the future of four state orchestras - Sevilla, Granada, Malaga, C.... More »
Following up on a question from earlier in the week on whether or not Atlanta Symphony Orchestra (ASO) interim CEO Terry Neal will be involved with negotiations, evidence has surfaced which confirms he will not be part of the bargaining process.
A 9/29/2014 letter from ASO board chair Karole L.... More »
Maestro Stephen Layton and the Holst Singers bring new life to Handel's 'Israel in Egypt', as Classical MPR's Choral Stream Producer Tesfa Wondemagegnehu reports from London..... More »
Our Own Jungfer Marianne Leitmetzerin has unearthed a hunk of prime Verdiana: a live 1972 Forza del Destino starring Leontyne Price and Franco Corelli.
Giuseppe Verdi: La forza del destino
Michelangelo Veltri, conductor
21 January 1972
Leonora – Leontyne Price
Don Alvaro – F.... More »
Tussock time, as in leaping from one pleasure to another, truly began the Friday before last with the annual Europe Day Concert in St John's Smith Square and continued on Sunday and Monday at Glyndebourne. 150th birthday boy Richard Strauss was central to both: for the Rosenkavalier Study Day, obvio.... More »
Happy birthday to Daniel Barenboim, whose festive cake awaits him backstage at the Staatsoper Berlin.
I get the sheet music, the baton and the Beethoven bust, but what's the significance of the blue hankie and the toilet roll? Anyone?
Continue Reading On intermezzo.typepad.com »
I was persuaded yesterday evening to attend the first performance of a "new opera" at St Paul's, Covent Garden. This was The Invited by Richard Knight with "words" by Norman Welch. This was produced by a company called Opera Room Productions. They say "we're dedicated to writing and producing modern operatic works with a classical flair…
Continue Reading On briandickie.typepad.com »
For centuries, painters, musicians, writers and other artists flocked to the city in search of fame and fortune.
On Saturday, Rice University’s Shepherd School of Music hosts a free all-day chamber music festival called Spotlight on Music From Vienna.
On Sunday the museum and Houston Friends of Chamber Music co-present the Viennese Tradition, a musical event designed to complement the current exhibition…
Continue Reading On www.chron.com »
St Giles, Cripplegate, LondonThe monastic intensity of Britten’s Noh-inspired opera parable – sung by a starry cast – contrasted to great effect with the hurly-burly of the City”What are those birds?” demands the Madwoman. In Britten’s “church parable” they are curlews – conjured up by a skittering, flutter-tongued flute – high above the land where she is looking for her lost son…
Continue Reading On www.guardian.co.uk »
AMERICAN OPERA PROJECTSARTIST Q&A TO FOLLOW MODERATED BY WQXR’S TERRANCE MCKNIGHTNew York, NY– AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye’s folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor…
Continue Reading On africlassical.blogspot.com »
My best personal example is that I seem to have developed a resistance to the latest “sensational” pianist/soprano/tenor/whatever. This item provides a convincing rationale. Do I miss something with this attitude? Perhaps … but if the newest sensation lasts, you usually catch up with them sooner or later anyhow…
Continue Reading On www.overgrownpath.com »
* Notes * San Francisco Opera gave a second performance of Il barbiere di Siviglia (Finale of Act II pictured left, photograph by Cory Weaver) this season with four different principal singers yesterday night. Emilio Sagi’s direction is funny but has som much going on at all times. There is an incredible amount of choreography and the corps de ballet is kept quite occupied…
Continue Reading On operatattler.typepad.com »
So much myth has accreted to Mahler’s Ninth Symphony that it is difficult to know where to begin any more. A farewell to life? A farewell to a culture? A farewell to tonality? An affirmation in the face of death? A piece more from eternity than earth?
All of the above, really, and such are the exalted heights of Mahler’s achievements in this greatest of his symphonies that a satisfactory performance – let alone anything beyond that – is rare……
Continue Reading On unpredictableinevitability.com »
Autograph (Encores), A. Tharaud
(released on November 19, 2013)
We were early adopters of pianist Alexandre Tharaud here at Ionarts. I have covered two of his local recitals for the Post, in 2012 and 2008 (plus one with Jean-Guihen Queyras in 2010), and we have reviewed most of his recordings over the years with high praise…
Continue Reading On ionarts.blogspot.com »
Charles Ives, George Gershwin, Leonard Bernstein, and John Corigliano have all used music to promote social commentary, but these are all individuals who use their talents to create great music and see it performed. To the Great American Culture Machine, music is still mainly seen as a pastime marketed primarily to sexually frustrated adolescents with enough money to buy new product.
Continue Reading On www.newmusicbox.org »
We have tried to help raise awareness of the terrible state of the buildings associated with Romania’s foremost composer, Georges Enescu. It’s a battle worth fighting. Bucharest is sensitive to its cultural image. Today, a battery of composers and musicologists have launched a campaign in Germany to save the Enescu heritage…
Continue Reading On www.artsjournal.com/slippeddisc »