Less cowbell + MORE Nov 22nd
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TOKYO (AP) — The ghostwriter for the musician lauded as Japan's Beethoven said Thursday he became fed up and ended their 18-year collaboration last ...
Read more: Hiroshima Symphony, Mamoru Samuragochi, Classical Music, Japanese Music, Takashi Niigaki, Japan's Beethoven, Ghost Co.... More »
Maazel was an uncompromising technician and orchestral leader, a conductor whose sometimes baffling interpretations were inimitably his own, writes Tom ServiceLorin Maazel never minded courting controversy. He left the Vienna State Opera and what was then the worlds most prestigious job in opera .... More »
Queen Elizabeth Hall, LondonThis high-voltage concert revival of Bellini's version of Romeo and Juliet was one of the group's finest achievementsI Capuleti e i Montecchi was reckoned to be Bellini's problem piece until recently, and even though its popularity has grown in recent years, we are still .... More »
From Orchestral Player To ‘Experimental’ Composer: Brett Dean in Conversation with Geoffrey Newman, Brett Dean in Conversation with Geoffrey Newman, 26.3.2014 The showcasing of five works by Brett Dean (b. 1961, Brisbane) at the Vancouver Symphony Orchestra’s New Music Festival in late Jan.... More »
OPERA Australia is set to embark on a program of cost-cutting and restructuring..... More »
Victoria will explain how she and I happened to meet, and strike sparks from each other. What excited me was the large audience she gets for the American Modern Ensemble, the new music group she runs with her composer husband, Robert Paterson. I fear I can be a broken record on the subject of audience, but I’m not going to stop saying that classical music needs new listeners…
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It is remarkable that the Royal Academy of Music Opera should have managed to field two such excellent casts for their production of Massenet’s Cendrillon this week. And there is nothing to choose between them – this is not a case of Cast A and B, or Jules and Massenet, – no, it is this cast and the other one…
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Is there any other opera that inspires so much tolerance in the audience as Die Frau ohne Schatten? Everything is so impossibly difficult that one feels even grateful that singers, conductor, director, members of the orchestra et al have agreed to do this possibly for the same fee they would receive for, say, Carmen… In any case, the Bavarian State Opera can certainly boast to have a new production against which there could be little competition this day…
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It’s you-know-who’s birthday today. I wanted to find something to post that is out of the ordinary, but close to my heart. So I’ve hunted down some video – from the Teatro Real, Madrid – of The Little Sweep, the children’s opera that involves major audience participation in some wonderful mass songs…
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Marti Newland (YouTube.com)COMPLETE: From the Diary of Sally Hemings, William Bolcom/Sandra Seaton (44:54)https://www.youtube.com/watch?v=qXKjftIR5rs&feature=youtu.be Artis Wodehouse Published on Nov 19, 2013Soprano Marti Newland and pianist Artis Wodehouse of MELODEON perform live in concert a unique 2001 American musical masterwork written by composer William Bolcom in collaboration with librettist and playwright Sandra Seaton called “From the Diary of Sally Hemings” on Sunday, Nov…
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Psychotherapist Dr Gerald Stein witnessed the incident last week at the Kaufmann Concert Hall of the 92nd Street Y. Why would someone do that? He wonders. And then he gives us free analysis. Read on here.
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An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12. [New York Times]
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The British seaside village of Aldeburgh is the hub of a substantial industry devoted to the composer, and especially now, during the centenary of his birth.
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No matter how you slice it, overseeing the development of an opera seems a lot like marshaling forces for the invasion of a small country. Hagen’s recently performed (a fully-staged, “pre-professional” workshop) full-length “opera noir,” A Woman in Morocco is no exception.
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