Less cowbell + MORE Nov 22nd
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A little night music — under the stars, surrounded by trees and performed by the Chicago Symphony Orchestra — is made to order for summer nights. The second annual J.... More »
It's the best part of the Christmas story, surely. Mary, Joseph and the infant Jesus, having escaped the most obscene horror, arrive in Sais, Egypt, close to starvation. In the third part of Berlioz's L'enfance du Christ, they are rejected by Egyptians and Romans in the town with the same cry: 'away.... More »
Queen Elizabeth Hall, LondonThis high-voltage concert revival of Bellini's version of Romeo and Juliet was one of the group's finest achievementsI Capuleti e i Montecchi was reckoned to be Bellini's problem piece until recently, and even though its popularity has grown in recent years, we are still .... More »
We have received these reflections from the music director of Zurich Opera on the changes that are taking place in his profession, as outlined earlier today on Slipped Disc.
I don’t think that Maestros (sic!) have gone mad.
But like any other artist, and probably more than other .... More »
Alberta College of Art + Design created a visual installation to be shown with Calgary Philharmonic’s production of Turangalîla.... More »
Victoria will explain how she and I happened to meet, and strike sparks from each other. What excited me was the large audience she gets for the American Modern Ensemble, the new music group she runs with her composer husband, Robert Paterson. I fear I can be a broken record on the subject of audience, but I’m not going to stop saying that classical music needs new listeners…
Continue Reading On www.artsjournal.com/sandow »
It is remarkable that the Royal Academy of Music Opera should have managed to field two such excellent casts for their production of Massenet’s Cendrillon this week. And there is nothing to choose between them – this is not a case of Cast A and B, or Jules and Massenet, – no, it is this cast and the other one…
Continue Reading On briandickie.typepad.com »
Is there any other opera that inspires so much tolerance in the audience as Die Frau ohne Schatten? Everything is so impossibly difficult that one feels even grateful that singers, conductor, director, members of the orchestra et al have agreed to do this possibly for the same fee they would receive for, say, Carmen… In any case, the Bavarian State Opera can certainly boast to have a new production against which there could be little competition this day…
Continue Reading On ihearvoices.wordpress.com »
It’s you-know-who’s birthday today. I wanted to find something to post that is out of the ordinary, but close to my heart. So I’ve hunted down some video – from the Teatro Real, Madrid – of The Little Sweep, the children’s opera that involves major audience participation in some wonderful mass songs…
Continue Reading On jessicamusic.blogspot.com »
Marti Newland (YouTube.com)COMPLETE: From the Diary of Sally Hemings, William Bolcom/Sandra Seaton (44:54)https://www.youtube.com/watch?v=qXKjftIR5rs&feature=youtu.be Artis Wodehouse Published on Nov 19, 2013Soprano Marti Newland and pianist Artis Wodehouse of MELODEON perform live in concert a unique 2001 American musical masterwork written by composer William Bolcom in collaboration with librettist and playwright Sandra Seaton called “From the Diary of Sally Hemings” on Sunday, Nov…
Continue Reading On africlassical.blogspot.com »
Psychotherapist Dr Gerald Stein witnessed the incident last week at the Kaufmann Concert Hall of the 92nd Street Y. Why would someone do that? He wonders. And then he gives us free analysis. Read on here.
Continue Reading On www.artsjournal.com/slippeddisc »
An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12. [New York Times]
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The British seaside village of Aldeburgh is the hub of a substantial industry devoted to the composer, and especially now, during the centenary of his birth.
Continue Reading On www.nytimes.com »
No matter how you slice it, overseeing the development of an opera seems a lot like marshaling forces for the invasion of a small country. Hagen’s recently performed (a fully-staged, “pre-professional” workshop) full-length “opera noir,” A Woman in Morocco is no exception.
Continue Reading On www.newmusicbox.org »