Royal Opera House 2014-15 season analysed + MORE

 

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conductor

Mass art forms are falling out of fashion, director Peter Sellars warns + MORE

The opera director Peter Sellars warns a new generation prefer intimate theatre to mass art forms 'dying like vast dinosaurs'.... More »
singer

Attorney General calls investigation into San Diego Opera + MORE

It’s the attorney general of the state of California and the question is whether public funds were properly handled during the period when the opera company was stumbling to near-closure. More here.  .... More »
sonata

Charles Hubert Hastings Parry: Symphony No.5 in B minor + MORE

Charles Hubert Hastings Parry’s Fifth Symphony was composed for the centenary of the Royal Philharmonic Society and was duly heard at the Queen’s Hall on 5 December 1912 with the composer conducting. The original title of the work was ‘Symphony in four linked movements in B minor, 1912’. How.... More »
classical music recital

Gaffigan Gives Enticing Mozart and Balletic Shostakovich + MORE

 Barber, Mozart and Shostakovich: Philippe Quint (violin), Vancouver Symphony Orchestra, James Gaffigan (conductor), Orpheum Theatre, Vancouver, BC, 29.11.2014. (GN) Barber: “Intermezzo” from Vanessa, Op. 32 Mozart: Violin Concerto No. 4, K. 218 Shostakovich: Symphony No. 7 in C major, Op. 60 .... More »
composer

New York Times: 'Sphinx Prize Honors Three Musicians,' Danielle Belen, Janai Brugger & Demarre McGill + MORE

Danielle BelenJanai BruggerDemarre McGillThe New York TimesAllan KozinnNovember 19, 2014***The winners of this year’s award are Danielle Belen, a violinist who has performed as a soloist with the Cleveland Orchestra, the San Francisco Symphony and other ensembles, and who recently joined the fa.... More »
From among 112 eligible applicants, 8 composers have been awarded $12,500 to support the development of their compositions as part of a two-year initiative to increase diversity across the field.

Continue Reading On www.newmusicbox.org »

NAC Orchestra tour to honour WWI soldiersThe fall tour of the UK, led by maestro Pinchas Zukerman, includes a performance at the historic Salisbury Cathedral and a joint concert with the Royal Philharmonic.

Continue Reading On www.thestar.com »

NEW! Looking To The Future At The Royal Opera House

– www.seenandheard-international.com

  Jim Pritchard Previews the New 2014-15 Season The great and the good in opera and dance journalism gathered at a very early hour at Covent Garden for news of the 2014-15 season … and I was there too for my first time! It was a very laidback, genteel hour, full of self-deprecating humour and […]

Continue Reading On www.seenandheard-international.com »

Borodin’s nationalist pageant is hard to stage at the best of times. But Moscow’s Novaya Opera has turned it into a kitsch and tawdry spectacle

Continue Reading On www.ft.com »

L'Ormindo Cavalli at the Globe

– classical-iconoclast.blogspot.com

L'Ormindo Cavalli at the GlobeSue Loder reviews Cavalli L’Ormindo at Shakespeare’s Globe for Opera Today  “Hurrah for the Royal Opera’s latest and most innovative Baroque production. Inside this gorgeous gem of a theatre, the Shakespeare’s Globe’s new indoor space known as the Sam Wanamaker Playhouse, Kasper Holten and his team have created a mini masterpiece of baroque performance with Cavalli’s L’Ormindo…

Continue Reading On classical-iconoclast.blogspot.com »

Brooklyn in Austin’s House

– www.newmusicbox.org

Providing great performances and cultural snapshots of Austin then and now, Copland and Mexico and Brooklyn Rider gave us an inside look into where we’ve been and where we’re going.

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The 2014 winners of the Metropolitan Opera (pictured left) National Council Auditions are sopranos Julie Adams and Amanda Woodbury; tenor Yi Li; bass-baritone Ao Li; and bass Patrick Guetti. Four of these five are associated with the Merola Opera Program. Adams and Woodbury are Merolini this year. Yi Li was in Merola in 2012 and Ao Li was in Merola in 2010…

Continue Reading On operatattler.typepad.com »

Doing The Right Thing In The Worst Possible Way

It is time to weigh in on what’s been unfolding at the Minnesota Orchestra Association (MOA), the processes used, and what the institution can expect moving forward.
#1 Henson Removed
After a long and fretful debate, the MOA finally decided to remove Henson and although that was clearly the correct decision to make, they managed to go about it in the worst possible way by extending his tenure through the end of August, 2014…

Continue Reading On www.adaptistration.com »

April at King's Place

– www.planethugill.com

April at King's PlaceImogen CooperPhoto sam e studiosApril at Kings Place gives us the chance to hear Imogen Cooper in Rachmaninov, rare Richard Strauss, a family quartet from Germany and duets for actor and instrument.Imogen Cooper and Sonia Wieder-Atherton perform Rachmaninov’s wonderful Cello Sonata, plus music by Janacek, Beethoven, Webern and Shostakovich (12/4)…

Continue Reading On www.planethugill.com »

Prince Igor reigns

– intermezzo.typepad.com

Prince Igor – Novaya Opera, Coliseum, 1 April 2014

A despotic invader annexes a troubled state and casts out the rightful ruler. Given recent events, Prince Igor may not be the most sensitive choice to mark the UK-Russia Year of Culture
But if anyone cares to discover Russia's musical achievements instead of dwelling on its political mis-steps, Novaya Opera's gloriously traditional and stupendously performed production is the place to start…

Continue Reading On intermezzo.typepad.com »

Royal Opera House 2014-15 season analysed

– classical-iconoclast.blogspot.com

Royal Opera House 2014-15  season analysedThe Royal Opera House’s 2014-15 season is a good balance of artistic venture and business savvy. London must be doing something right with sales running at 96% capacity and HD broadcast attendance running neck and neck with live performances. When opera houses and orchestras seem to be imploding elsewhere, it’s worth taking careful note of the ROH strategy…

Continue Reading On classical-iconoclast.blogspot.com »

Eight composers were chosen to receive grants in a new program to encourage more operas by women.    

Continue Reading On www.nytimes.com »

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