Akram Khan Pays Tribute to Stravinsky’s Rite of Spring + MORE
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The label 'opera' gives the wrong impression of this jolly 70-minute romp, says Rupert Christiansen.... More »
A decade ago, Stockhausen's gargantuan seven-part operatic cycle LICHT seemed on the verge of a complete performance, then faded away. A 2004 BBC News story announced that a production was planned in Dresden in 2008, in conjunction with Stockhausen's eightieth birthday. Sadly, the compose.... More »
Born on this day in 1880 poet Guillaume Apollinaire.
Born on this day in 1913 tenor Gino Sinimberghi.
Born on this day in 1915 soprano Gré Brouwenstijn.
Born on this day in 1923 condu.... More »
Country singers are full of praise for farm work, and a little country can be great when you're hauling hay. That doesn't mean, though, that there isn't also room for Beethoven in the barn..... More »
Schubert: Sir John Tomlinson (bass), Christopher Glynn (piano). Wigmore Hall, 11.12.2016. (CC) Schubert – Schwanengesang, D957, sung in English as ‘Swansong’ (tr. Jeremy Sams) A bit unclear from the Wigmore’s documentation as to whether this was the world premiere of Jeremy Sams’s.... More »
The Arts Partnership – a cooperative venture among the Minnesota Opera, the Ordway Center for the Performing Arts, the Schubert Club, and the Saint Paul Chamber Orchestra – has raised the final beam on the new 1,100-seat concert hall being built to replace the 300-seat McKnight Theater.
Continue Reading On minnesota.publicradio.org »
Vienna never really forgave Erich Wolfgang Korngold for going to work in the movies. When the exiled composer returned from Hollywood after World War 2 to mount a comeback, he was dismissed as a has-been who all too eagerly cast off high art for the commercialism of the silver screen.
Korngold, it must be said, led with his chin by bringing for the occasion Die stumme Serenade (The Silent Serenade), an hybrid opera-Cabaret that mixes elements of golden age film music with high fructose arias, skittering orchestral accompaniments and other démodé effects as comforting as a serving of Mohr im Hemd…
Continue Reading On parterre.com »
On Sunday afternoon, May 25, 2014, celebrated pianist-composer Marc-André Hamelin performed Morton Feldman’s expansive, penultimate work for solo piano, For Bunita Marcus (1985). The concert took place in the intimate Mazzoleni Concert Hall at the Royal Conservatory of Music in Toronto, as part of the inaugural 21C Music Festival…
Continue Reading On www.icareifyoulisten.com »
Symphony Hall, BirminghamThomas Adès returned to the City of Birmingham Symphony to premiere breathtaking pieces by Gerald Barry and Francisco Coll, played with verve by Nicolas HodgesThe City of Birmingham Symphony orchestra worked regularly with Thomas Adès when he was artistic director of the Aldeburgh festival, but they last appeared together six years ago…
Continue Reading On www.guardian.co.uk »
Nitin Sawhney, Jocelyn Pook, Ben Frost, iTMOi: Akram Khan Company, Sadler’s Wells, London, 10.6.2014 (J.O’D) Dancers: Kristina Alleyne, Sadé Alleyne, Ching-Ying Chien, Denis ‘Kooné’ Kuhnert, Yen-Ching Lin, T.J. Lowe, Christine Joy Ritter, Catherine Schaub Abkarian, Nicola Monaco, Blenard Azizaj, Cheng-An Wu Production: Artistic Director and Choreographer: Akram Khan Composers:Nitin Sawhney, Joceyln Pook, Ben Frost Producer: […]
Continue Reading On www.seenandheard-international.com »
It was with considerable sadness that I learnt of the death of Rafael Frühbeck de Burgos at the age of 80. It is always very sad when a great musician passes on. However there was also sadness at a personal level. In 1977, while working for EMI, I was involved in the marketing of maestro Fruhbeck de Burgos recording of Mauel de Falla’s opera Atlántida in the posthumous completion by Ernesto Halfter…
Continue Reading On www.overgrownpath.com »
A Sign in Space with Felicity Turner – Photo Andreas Grieger Clive and other stories: Gestalt Arts: Peckham Asylum Reviewed by Hilary Gloveron Jun 09 2014 Star rating: 4.0Three short new operas by adventurous new opera companyGestalt Arts was founded two years ago as a brave new opera company by Artistic Director Ruth Mariner and Toby Young when they produced ‘The daisy chain’ for the London Symphony Orchestra Soundhub and Tête a Tête Opera Festival…
Continue Reading On www.planethugill.com »
“Our future lies in art, especially in music. In times when spiritual goods are rarer than material ones, and egotism, envy and hatred govern the world, music will do much to re-establish love among mankind” – Richard Strauss. born 150 years ago today.How the world has changed since Richard Strauss was born ! Through his music we might come to know the man he was and how he coped with the horrors of what happened around him, for better or worse…
Continue Reading On classical-iconoclast.blogspot.com »
Here’s her spot on the Today programme. She was preceded by a listener who defined himself as ‘a psychotherapist and opera director’.
Jonathan Miller, were you listening?
Click here to listen.
Continue Reading On www.artsjournal.com/slippeddisc »
The conductor Lorin Maazel, 84, will give up his directorship of the Munich Philharmonic and won’t take new professional engagements for the upcoming season.
Continue Reading On www.nytimes.com »
This is an edited version of the talk I gave at the Wigmore Hall last Saturday, introducing a programme that consisted of the Debussy Violin Sonata and both of Prokofiev’s, plus Pärt’s Fratres, gloriously played by Alina Ibragimova and Steven Osborne. Enjoy…Did anyone see Benvenuto Cellini the other night at ENO? Well, I hope that by the time we’ve finished here, you might want to – because this is going to have quite a lot to do with Berlioz…
Continue Reading On jessicamusic.blogspot.com »