America’s second opera house announces best results + MORE

 

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singer

In memory of an enterprising fortepianist + MORE

Naxos are bringing forward the release today of a fourth album of Clementi sonatas played by Susan Alexander-Max, US-born founder of the London chamber ensemble The Music Collection and former professor at the Guildhall School of Music. Susan died in January of cancer, her death unrecorded in public.... More »
maestros

Breaking: Kissin to headline Carnegie season… with Yiddish evening + MORE

Just in, from Clive Gillinson. press release: CARNEGIE HALL ANNOUNCES 2015–2016 SEASON Carnegie Hall’s 125th Anniversary Celebration Season launches with Opening Night Gala concert with Alan Gilbert, Evgeny Kissin, & the New York Philharmonic on October 7, 2015 All-star anniversary gala fea.... More »
operas

Simon Rattle's Dream of Gerontius + MORE

Rating:  0 When Elgar’s Dream of Gerontius was first heard, in Birmingham Town Hall in 1900, the performance d.... More »
orchestra

Chat: listeners’ choice + MORE

During the dull season for opera broadcasts here in New York the cher public are invited to select from the afternoon offerings listed on operacast.com. Tempting offerings this week include Bel Canto, Norma, Jenufa and of course Cristina, Regina di Svezia.  .... More »
symphony

A Hypnotic and Hyperbolic Akhnaten + MORE

Glass, Akhnaten: Soloists, Chorus, and Orchestra of LA Opera/Matthew Aucoin (conductor), Dorothy Chandler Pavilion, Los Angeles, 5.11.2016. (JRo) Cast: Akhnaten – Anthony Roth Costanzo Nefertiti – J’Nai Bridges Queen Tye – Stacey Tappan Horemhab – Kihun Yoon The Scribe – Zachary James Hi.... More »

I feel incredibly honoured to have presented BBC New Generation Artists on BBC Radio 3 for the past four seasons. It’s inspirational to get to know so many exceptionally talented young instrumentalists, singers and chamber ensembles so early in their careers, and gratifying to be able to watch closely as they grow and develop during the two years they spend on the scheme…

Continue Reading On www.classical-music.com »

Handel – Siroe

– www.planethugill.com

Handel - Siroe Handel Siroe; Yosemeh Adjei, Anna Dennis, Aleksandra Zamojska, Gottingen Festival Orchestra, Laurence Cummings; Accent Reviewed by Robert Hugillon Jun 14 2014 Star rating: 4.0Lovely dramatic feel to Handel’s rarely done 1728 operaHandel’s 1728 opera Siroe has not, so far, done well on disc so this new recording on the Accent label is most welcome…

Continue Reading On www.planethugill.com »

  Mahler: Symphony No 8.Soloists, Philharmonia Voices, Tiffin Boys’ Choir,Rodolfus Choir, Philharmonia Orchestra, Esa-Pekka Salonen (conductor), Royal Festival Hall, London, 26.6.2014. (JPr)   Judith Howarth (soprano): Magna Peccatrix Elizabeth Llewellyn (soprano): Una Poenitentium, Gretchen Lucy Crowe (soprano): Mater Gloriosa Karen Cargill (mezzo-soprano): Mulier Samaritana Justina Gringyte (mezzo-soprano): Maria Aegyptiaca Robert Dean Smith (tenor): Doctor Marianus […]

Continue Reading On www.seenandheard-international.com »

Fairy-tale Magic of the Vocal Sort in Frankfurt

– www.seenandheard-international.com

 Dvorak: Rusalka, Soloists, Opera Frankfurt Chorus, Frankfurt Opera and Museum Orchestra, Johannes Debus (conductor), Opera Frankfurt, Frankfurt am Main, 28.06.14 (RP)  Cast: Rusalka:  Karen Vuong The Prince: Zoltán Nyári The Foreign Princess: Tanja Ariane Baumgartner Water Gnome: Mischa Schelomianski Jezibaba, the Witch:  Katharina Magiera First Wood Sprite: Nora Friedrichs Second Wood Sprite: Elizabeth Reiter Third […]

Continue Reading On www.seenandheard-international.com »

Ahead of the streaming of Glyndebourne’s production of Mozart’s Don Giovanni, Rupert Christiansen picks the Festival’s most memorable Mozart productions

Continue Reading On www.telegraph.co.uk »

The product of a collaboration between composer/guitarist George Heathco and soprano/lyricist Misha Penton, Ravens and Radishes is a song cycle for guitar, cello, and voice that takes inspiration from classic fairy tales and, unlike the recent film Maleficent, recasts them in a new and interesting light instead of, say, ruining them.

Continue Reading On www.newmusicbox.org »

How can they see with sequins in their eyes?Worried about the future of opera in America? Don’t be! Lyric Opera of Chicago’s most recent crowing press release outlines a simple method by which any opera company can stay in the black!
Step One: Choose a limited repertoire concentrating on chestnuts of the 19th century. Don’t program anything earlier than Mozart or newer than Madama Butterfly (one of the company’s two 20th century works last season; the other was Rusalka…

Continue Reading On parterre.com »

In music, “ground” is a term that refers to an underlying bass pattern over which a melody is laid. Minneapolis resident Brad Peterson has added a new layer of meaning to that term, composing a “Lawn Mower Opus in G” over the drone of a…yep, you got it.

Continue Reading On minnesota.publicradio.org »

Bach's "two- and three-part inventions" are familiar to every piano student. On a new disc, they're performed by one of the leading young pianists of today. Simone Dinnerstein's new album is on this week's New Classical Tracks.

Continue Reading On minnesota.publicradio.org »

America’s second opera house announces best results

– www.artsjournal.com/slippeddisc

America’s second opera house announces best resultsThe Lyric Opera in Chicago has enjoyed a happy season.
Ticket sales rose to $28.8 million, up from $26.6 million in 2013.
Of 284,440 tickets sold, 67,485 were purchased by first-timers.
Lyric also beat its $23.6 million annual fund-raising goal by $100,000.
Anthony Freud, formerly of Welssh National Opera, is running a good ship…

Continue Reading On www.artsjournal.com/slippeddisc »

Philharmonia/Salonen review  true pianissimo and roof-raising climaxesRoyal Festival Hall, LondonEsa-Pekka Salonen held together the gargantuan forces of Mahler’s Eighth Symphony for a balanced interpretationMahler’s Eighth Symphony brought the Philharmonia’s season to a close in a performance under the orchestra’s principal conductor, Esa-Pekka Salonen. Though it was a canny promoter rather than the composer himself who called the piece the "Symphony of a Thousand", the gargantuan forces involved here the statutory eight soloists, the combined Philharmonia Voices and Rodolfus Choir, plus the Tiffin Boys’ Choir amply filled the platform and choir stalls…

Continue Reading On www.guardian.co.uk »

English National Opera tightens reins as 58 groups lose Arts Council fundingEngland’s theatres, orchestras, galleries and museums learn how much Arts Council England will be giving them in 2015-18English National Opera is to have its regular public funding cut by £5m a year, one of the highest-profile losers in a high-stakes day of funding announcements which saw hundreds of arts organisations told of their settlements for the next three years…

Continue Reading On www.guardian.co.uk »

Gelb’s Ring was box-office poison: the stats

– www.artsjournal.com/slippeddisc

Gelb’s Ring was box-office poison: the statsThe Wall Street Journal has been analysing the Met’s box-office take on recent productions. The widely-scorned and technically faulty Wagner Ring cycle, staged by Robert LePage, bombed on its return run, achieving just 48 percent of sales potential for Siegfried and 58% across the entire cycle, according to the WSJ…

Continue Reading On www.artsjournal.com/slippeddisc »

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