Don Quichotte at San Diego Opera + MORE

 

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performance

Triumphant Mahler 2 Harding Prom 57 + MORE

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall.  Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker, read more HERE) are pretty much the benchmark by w.... More »
operas

Methodological Certitude in Nazi Opera Conspiracies: "He Knew Every Single Word"... + MORE

Some readers will be left wondering why it is that I keep writing about Nazi opera conspiracy theories. The answer is that it opens up a lot of philosophical and political questions that have nothing to do with Wagner at all. These have to do with questions about the relationship between culture and.... More »
classical music news

Notes from the 2014 Salzburg Festival ( 9 ) Anton Bruckner Cycle • Bruckner IX + MORE

Philharmonia Orchestra 1 • Dohnányi • Camilla Tilling Phully Harmonias Above and below pictures (details) courtesy Salzburg Festival, © Silvia Lelli. Click for the whole picture. With the Te Deum being out of the running already, at this year’s Salzburg Festival, the program of the Philharmo.... More »
recitals

David Hertzberg Wins ACO’s Underwood Commission + MORE

American Composers Orchestra (ACO) has awarded composer David Hertzberg its $15,000 Underwood emerging composer commission for a work that will be premiered by ACO in the 2016-2017 season..... More »
symphonies

John Malveaux: Lawrence Brownlee Sings 'Count Almaviva' in Rossini's 'Il Barbiere di Siviglia' at Metropolitan Opera Noon EST December 6, 2014 + MORE

Lawrence Brownlee(Los Angeles Opera)John Malveaux of www.MusicUNTOLD.com writes:Lawrence Brownlee will sing Count Almaviva in Rossini Il Barbiere di Siviglia at the Metroplitan Opera. Performance schedule include 12 noon EST broadcast of December 6, 2014 per.... More »

A royal entertainment returns to Versailles

– www.theglobeandmail.com

Toronto’s Opera Atelier to stage Persée almost 250 years after it was performed in the palace for Marie Antoinette

Continue Reading On www.theglobeandmail.com »

New Classical Tracks: 'Goosebumpy to the Max'

– minnesota.publicradio.org

The latest disc from Anne Akiko Meyers features Vivaldi's classic of Baroque music — played on a remarkable violin. Anne says that it's an exciting combination. It's on New Classical Tracks this week, and you have a chance to win a copy of the CD.

Continue Reading On minnesota.publicradio.org »

London Contemporary Music Festival Celebrates Bernard ParmegianiBritannia House, a large building just off Brick Lane in London’s East End, used to be a carpet factory. March 20-23, 2014, it was the trendy host to the London Contemporary Music Festival’s retrospective of the works of Bernard Parmegiani, an obscure but very cool experimental composer who died last year…

Continue Reading On www.icareifyoulisten.com »

Alex Ross On Interpreting Wagner

– www.the-wagnerian.com

Alex Ross On Interpreting WagnerThe always worth reading Alex Ross in discussion with Todd Morman at the Indy Week.Ross has been exploring Wagner’s deep, broad cultural influence—he pays close attention, for instance, to what he calls “Black Wagnerism,” the affinity felt by people like W.E.B. Du Bois for Wagner’s work. The INDY spoke with Ross about Wagner, race and modern opera; an edited transcript is below…

Continue Reading On www.the-wagnerian.com »

Showcase for chamber music

– www.theaustralian.com.au

THE Australian Festival of Chamber Music is returning to Townsville in August.

Continue Reading On www.theaustralian.com.au »

Sometimes it feels like the winter will never end. It’s April 15, I just had my lawn aerated, put down seed and fertilizer in the front yard a few days ago, and I woke up to snow yet again. After a speedy commute on the Go Train listening to one of my favorite podcasts, I taught my vocal lit class at the Royal Conservatory, where one of the students in my class did a presentation on Debussy’s Quatre Chansons de Jeunesse…

Continue Reading On collaborativepiano.blogspot.com »

Almanac: Paul Hindemith on technique

– www.artsjournal.com/aboutlastnight

“The true work of art does not need to wrap any veil of mystery about its external features. Indeed the…

Continue Reading On www.artsjournal.com/aboutlastnight »

The Portland Baroque Shines Brightly

– www.seenandheard-international.com

 Sheidt, Nicolai, Biber, Buxtehude, Weichlein, and Johann Christoph Bach, Portland Baroque Orchestra, Monica Huggett, artistic director and violin, Stephen Stubbs, chitarrone, Harry van der Kamp, bass, Vancouver Playhouse, 11.4.2014. Scheidt: Canzon super intradam æthiopicam a 5 Buxtehude:’ Ich bin eine Blume zu Saron’ (Song of Solomon 2:1-3) Nicolai: Sonata for three bass viols Biber: Rosary […]

Continue Reading On www.seenandheard-international.com »

Boston: Practice Sessions

– www.newmusicbox.org

Keeril Makan’s Letting Time Circle Through Us and Bernard Rands’s Concerto for Piano and Orchestra (with pianist Jonathan Biss) premiered in Boston.

Continue Reading On www.newmusicbox.org »

What American composer better embodies the spirit of the day than Irving Berlin? His music has graced innumerable Hollywood offerings from "White Christmas" to "Annie Get Your Gun." This week on Flicks in Five, Lynne Warfel celebrates Irving Berlin.

Continue Reading On minnesota.publicradio.org »

Lying About Hitler: Why Historians Reject Nazi Opera Conspiracies—and Why We Must Follow their ExampleEvery book has its target audience. The question is as to what the target of Nazi opera conspiracy books might be. It is likely to be an audience interested in opera, music and art history. It is likely to be a popular audience interested in the history of the Holocaust, some of whom have heard that it was caused by an opera composer—one who either deserves to be justly hated as the Holocaust’s root cause, or amongst Neonazi’s, revered for it…

Continue Reading On thinkclassical.blogspot.com »

Don Quichotte at San Diego Opera

– operatattler.typepad.com

* Notes * The last performance of the 2014 season at San Diego Opera was the matinée of Don Quichotte on Sunday, April 13. This may well have been San Diego Opera's final offering, complete with a Save San Diego Opera demonstration outside and capacity attendance inside. The production is a revival of the one at San Diego Opera in 2009…

Continue Reading On operatattler.typepad.com »

A new piece by Chinese-American composer Zhou Long was part of the programme in the latest chapter of this transatlantic musical exchange

Continue Reading On www.ft.com »

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