Ionarts-at-Large: A Special Place in Hell (Orfeo with Minkowski) + MORE

 

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sonata

Vivid Colors from the San Franciscans + MORE

 Mahler, Samuel Adams, Prokofiev, Ravel: Samuel Adams (sound design), Gil Shaham (violin), New York Choral Artists, Joseph Flummerfelt (director), San Francisco Symphony, Michael Tilson Thomas (conductor), Carnegie Hall, New York City. 20-21.11.2014 (BH) Nov. 20 Mahler: Symphony No. 7 in E Minor (1.... More »
virtuoso

On the Classical MPR stage: Singers from the Minnesota Opera + MORE

Singers from the Minnesota Opera will perform on the stage of the MPR booth at the Minnesota State Fair on Thursday, Aug. 28. Here's some background on the organization and the people who will be performing..... More »
symphonies

CBSO/Rattle/Donohoe review a euphoric reception for the returning conductor + MORE

Symphony Hall, BirminghamSimon Rattle brought nobility and urgency while Peter Donohoe played as if visited by the spirit of RachmaninovBut for the vision and tenacity of Simon Rattle, Symphony Hall and its stunning acoustic would not have come into being and the City of Birmingham Symphony Orchestr.... More »
conductors

London Symphony Orchestra, Barbican, London + MORE

Simon Rattle’s programme included a moving new piece by Mark-Anthony Turnage.... More »
concerto

Edinburgh Festival 2014, Alison Jackson: A Story in the Public Domain (La Trashiata), review: 'a damp squib' + MORE

Artist Alison Jackson has brought her first "opera", in which celeb lookalikes mouth along to famous arias, to Summerhall on the Edinburgh Fringe. Laura Barnett is unimpressed.... More »
Violinist.com interview with Ilya Gringolts: the Menuhin CompetitionBy Laurie Niles: The Menuhin Competition gets underway in less than a month in Austin, Texas, and as the clock ticks down, we have a few previews for you here at Violinist.com. Also, I’ll be traveling to Texas later this month to write about the competition, which begins on February 21 and culminates with a final Gala Concert (with the Cleveland Orchestra, no less!) on March 2…

Continue Reading On www.violinist.com »

Nikolaus Lehnhoff’s staging belittles Puccini’s intentions, turning the work into a Broadway farce in order to get the belly laughs

Continue Reading On www.ft.com »

Yet Another Set of Paganini Variations

– irontongue.blogspot.com

Here’s what happens when Marc-Andre Hamelin gets his hand on a famous theme:Around 4:00, there is a riff on LvB op. 109. Around 5:45, he is quoting different Beethoven. Around 7:30, he is almost quoting one of Rachmaninov’s variations. Something vaguely familiar is going on around 9:00.

Continue Reading On irontongue.blogspot.com »

Picture (detail) courtesy Salzburg Mozart Woche, © Matthias Baus

Bejun Mehta will never be my favorite countertenor, but singing Orfeo as he does here in Salzburg, in Ivan Alexandre’s lame demi-production of Orfeo ed Euridice, he makes it impossible not to admire him. Relaxed and more naturally confident than his supercilious stage demeanour usually suggests, he is in splendid, show-stealing

Continue Reading On ionarts.blogspot.com »

Theodora: Not the Messiah but Handel’s Favorite

– www.seenandheard-international.com

 Handel: Theodora, The English Concert, Harry Bicket (conductor), The Choir of Trinity Wall Street, Julian Wachner (director), Stern Auditorium, Carnegie Hall, 2.2.2014 (SSM) Theodora:  Dorthea Röschmann Irene:            Sarah Connolly Didymus:    David Daniels Septimius:  Kurt Streit Valens:         Neal Davies Theodora, Handel’s penultimate oratorio, shares an emotional […]

Continue Reading On www.seenandheard-international.com »

Schubertiade

– briandickie.typepad.com

It was a real joy to spend 75 minutes yesterday listening to students of the Royal Academy of Music performing a wonderful programme of Schubert songs – Sun, Moon and Stars – devised by the genius of Richard Stokes. Richard is a remarkable man, passionate and erudite in just the right balance – I have known him since 30 years ago he taught my eldest son German at Westminster School!  Little did I realise then that he was destined to become a world authority on Lieder…

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Riccardo Muti is steadfast in his search to connect the musical past and present in the Chicago Symphony Orchestra’s mission

Continue Reading On www.suntimes.com »

Royal Festival HallBach-Busoni – Chorale Prelude: ‘Nun komm’ der Heiden Heiland,’ BWV 659Beethoven – Piano Sonata no.13 in E-flat major, op.27 no.1Bach-Busoni – Chorale Prelude: ‘Ich ruf’ zu dir, Herr Jesu Christ,’ BWV 639Beethoven – Piano Sonata no.14 in C-sharp minor, op.27 no.2Liszt – Schaflos, Frage, und Antwort, S 203; Unstern! sinistre, disaster, S 208; RW – Venezia, S 201Mussorgsky – Pictures at an Exhibition This was the first time I had heard Paul Lewis as a recitalist, as opposed to concerto soloist or ‘accompanist’…

Continue Reading On www.boulezian.blogspot.com »

Audio Book & Text: A Wagner Matinée. Willa Cather“The first number was the Tannhäuser overture. When the violins drew out the first strain of the Pilgrim’s chorus, my Aunt Georgiana clutched my coat-sleeve. Then it was that I first realized that for her this singing of basses and stinging frenzy of lighter strings broke a silence of thirty years, the inconceivable silence of the plains…

Continue Reading On www.the-wagnerian.com »

Boulez is honoured as Cleveland’s longest serving maestroAlthough he’s too frail to attend or to conduct, Pierre Boulez will be honoured this Thursday for conducting the Cleveland Orchestra for over half a century. Details here.

Continue Reading On www.artsjournal.com/slippeddisc »

Michael Todd Simpson Replaces Nathan Gunn

– operatattler.typepad.com

Baritone Michael Todd Simpson (pictured left) will replace Nathan Gunn as Gaylord Ravenal in Show Boat at San Francisco Opera. Gunn has withdrawn from the the production. Other casting updates include Bill Irwin as Cap'n Andy Hawks and Harriet Harris as Parthy Ann Hawks.
Production Web Site | San Francisco Opera Press Release

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Lovers schooled

– likelyimpossibilities.blogspot.com

Lovers schooledOn Thursday night, the Washington, D.C.-based group Opera Lafayette graced the Rose Theater with a double bill of French opera… sort of. The first half consisted of Così fan tutte in French, the second François-André Philidor’s opéra-comîque Les femmes vengées, which slightly predates Mozart…

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Symphony guide: Mozart's 31st ('Paris')‘I hope that even these idiots will find something in it to like’, wrote the young composer of his Parisian audience. Calculated to please, Mozart’s brilliantly wrought and supremely confident symphony is still delighting audiences nearly 250 years later. • All articles in this series Paris, spring 1778…

Continue Reading On www.guardian.co.uk »

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