Less cowbell + MORE Nov 22nd
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Bernstein, Barber, Copland and Gershwin: Joyce Yang, piano; Vancouver Symphony Orchestra, Kazuyoshi Akiyama, conductor, Orpheum Theatre Vancouver, 10.5.2014. (GN) Gershwin: Cuban Overture Bernstein: Symphony No. 2, ‘The Age of Anxiety’ Copland: Appalachian Spring Barber: Adagio I admit that I .... More »
On this day in 1941 Noël Coward‘s Blithe Spirit premiered in London.
Born on this day in 1714 composer Christoph Willibald von Gluck
Born on this day in 1900 theatre and opera director Tyrone Guthri.... More »
Dr. Lynne Morrow, Chorus DirectorSummer Sing-In Series: American Spirituals Event Details:Location: Museum of Children's Art (MOCHA)Date: Wednesday, August 5, 2015Time: 7:30-10:00pmProgram:Ever wondered what it is like to sing in a full symphony chorus? Dr. Lynne.... More »
The Minister of Education and Culture in Andalusia, Luciano Alonso, has voiced outrage at the fees paid to Pedro Halffter, music director of the Royal Seville symphony orchestra. ‘I disagree with his salary, which is excessive. No one in the public sector of Andalusia should earn more than th.... More »
Bryn Terfel and ensemble, Fiddler on the Roof, Grange Park Opera - photo credit Robert Workman Jerry Bock, Sheldon Harnick, Joseph Stein Fiddler on the Roof; Bryn Terfel, Janet Fullerlove, Charlotte Harwood, Katie Hall, Molly Lynch, Rebecca Wheatley, Anthony Flaum, Jordan Simon Pollard, dir: Antho.... More »
Victoria will explain how she and I happened to meet, and strike sparks from each other. What excited me was the large audience she gets for the American Modern Ensemble, the new music group she runs with her composer husband, Robert Paterson. I fear I can be a broken record on the subject of audience, but I’m not going to stop saying that classical music needs new listeners…
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It is remarkable that the Royal Academy of Music Opera should have managed to field two such excellent casts for their production of Massenet’s Cendrillon this week. And there is nothing to choose between them – this is not a case of Cast A and B, or Jules and Massenet, – no, it is this cast and the other one…
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Is there any other opera that inspires so much tolerance in the audience as Die Frau ohne Schatten? Everything is so impossibly difficult that one feels even grateful that singers, conductor, director, members of the orchestra et al have agreed to do this possibly for the same fee they would receive for, say, Carmen… In any case, the Bavarian State Opera can certainly boast to have a new production against which there could be little competition this day…
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It’s you-know-who’s birthday today. I wanted to find something to post that is out of the ordinary, but close to my heart. So I’ve hunted down some video – from the Teatro Real, Madrid – of The Little Sweep, the children’s opera that involves major audience participation in some wonderful mass songs…
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Marti Newland (YouTube.com)COMPLETE: From the Diary of Sally Hemings, William Bolcom/Sandra Seaton (44:54)https://www.youtube.com/watch?v=qXKjftIR5rs&feature=youtu.be Artis Wodehouse Published on Nov 19, 2013Soprano Marti Newland and pianist Artis Wodehouse of MELODEON perform live in concert a unique 2001 American musical masterwork written by composer William Bolcom in collaboration with librettist and playwright Sandra Seaton called “From the Diary of Sally Hemings” on Sunday, Nov…
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Psychotherapist Dr Gerald Stein witnessed the incident last week at the Kaufmann Concert Hall of the 92nd Street Y. Why would someone do that? He wonders. And then he gives us free analysis. Read on here.
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An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12. [New York Times]
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The British seaside village of Aldeburgh is the hub of a substantial industry devoted to the composer, and especially now, during the centenary of his birth.
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No matter how you slice it, overseeing the development of an opera seems a lot like marshaling forces for the invasion of a small country. Hagen’s recently performed (a fully-staged, “pre-professional” workshop) full-length “opera noir,” A Woman in Morocco is no exception.
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