Less cowbell + MORE Nov 22nd
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Shortlist Unveiled for the 12th British Composer Awards The British Academy of Songwriters, Composers and Authors (BASCA) has announced the 35 works shortlisted for the 2014 British Composer Awards. The winners will be unveiled at a ceremony at Goldsmiths’ Hall, London on Tuesday 2 December 2014 a.... More »
Review – Mozart Opera & Concert Arias (Karina Gauvin, Les Violons Due Roy, Bernard Labadie)
Over the last few weeks I have been throrougly enjoying two recital discs from opposite ends of the performance spectrum but both highly recommended.
The first is by Karina Gauvin, perhaps better kn.... More »
Halida Dinova brings her Liszt to New Zealand, by Howard Smith.... More »
A South African Sampler | New Juilliard Ensemble The program features new works by Robert Fokkens, Andile Khumalo, and Bongani Ndodana-Breen, Michael Blake’s Rural Arias, Kevin Volans’ Looping Point, Clare Loveday’s Fever Tree, and Paul Hanmer’s Minuet and Trio. Monday, November 3 at 8:.... More »
The Polish pianist Felicja Blumental died whilst visiting Israel in 1991 and in 1999, the Tel Aviv Museum of Art named its International Music Festival after her. Blumental's daughter, soprano Annette Céline, serves as the Festival’s artistic director and this year they commemorate the festival's.... More »
Victoria will explain how she and I happened to meet, and strike sparks from each other. What excited me was the large audience she gets for the American Modern Ensemble, the new music group she runs with her composer husband, Robert Paterson. I fear I can be a broken record on the subject of audience, but I’m not going to stop saying that classical music needs new listeners…
Continue Reading On www.artsjournal.com/sandow »
It is remarkable that the Royal Academy of Music Opera should have managed to field two such excellent casts for their production of Massenet’s Cendrillon this week. And there is nothing to choose between them – this is not a case of Cast A and B, or Jules and Massenet, – no, it is this cast and the other one…
Continue Reading On briandickie.typepad.com »
Is there any other opera that inspires so much tolerance in the audience as Die Frau ohne Schatten? Everything is so impossibly difficult that one feels even grateful that singers, conductor, director, members of the orchestra et al have agreed to do this possibly for the same fee they would receive for, say, Carmen… In any case, the Bavarian State Opera can certainly boast to have a new production against which there could be little competition this day…
Continue Reading On ihearvoices.wordpress.com »
It’s you-know-who’s birthday today. I wanted to find something to post that is out of the ordinary, but close to my heart. So I’ve hunted down some video – from the Teatro Real, Madrid – of The Little Sweep, the children’s opera that involves major audience participation in some wonderful mass songs…
Continue Reading On jessicamusic.blogspot.com »
Marti Newland (YouTube.com)COMPLETE: From the Diary of Sally Hemings, William Bolcom/Sandra Seaton (44:54)https://www.youtube.com/watch?v=qXKjftIR5rs&feature=youtu.be Artis Wodehouse Published on Nov 19, 2013Soprano Marti Newland and pianist Artis Wodehouse of MELODEON perform live in concert a unique 2001 American musical masterwork written by composer William Bolcom in collaboration with librettist and playwright Sandra Seaton called “From the Diary of Sally Hemings” on Sunday, Nov…
Continue Reading On africlassical.blogspot.com »
Psychotherapist Dr Gerald Stein witnessed the incident last week at the Kaufmann Concert Hall of the 92nd Street Y. Why would someone do that? He wonders. And then he gives us free analysis. Read on here.
Continue Reading On www.artsjournal.com/slippeddisc »
An auction of the meager remains of the bankrupt New York City Opera’s property musical instruments, some bits of scenery and costumes is scheduled for December 12. [New York Times]
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The British seaside village of Aldeburgh is the hub of a substantial industry devoted to the composer, and especially now, during the centenary of his birth.
Continue Reading On www.nytimes.com »
No matter how you slice it, overseeing the development of an opera seems a lot like marshaling forces for the invasion of a small country. Hagen’s recently performed (a fully-staged, “pre-professional” workshop) full-length “opera noir,” A Woman in Morocco is no exception.
Continue Reading On www.newmusicbox.org »