‘Romeo & Juliet’ soars in Grant Park Music Fest’s indoor outing + MORE

 

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composer

Notte d’orror! + MORE

On this day in 1809, it became illegal to wear masks at balls held within the City of Boston, as its citizens believed this practice was “detrimental to morals.” http://www.youtube.com/watch?v=ZAnisRJdbGs Born on this day in 1910 composer Paul Bowles http://www.youtube.com/watch?v=-dWSiQK.... More »
symphony news

Our long Gulf Coast nightmare is over + MORE

“Aida to help bring an end to Sarasota Opera’s Verdi Cycle” [Sarasota Herald-Tribune].... More »
conductor

The Indian Queen; Lisa Batiashvili and Paul Lewis – review + MORE

Coliseum; Wigmore Hall, LondonPeter Sellars spins unfinished Purcell into a Mayan extravaganza that delights and irks Continue reading....... More »
symphony news

Nicholas Alexander Brown: The Model Of A Modern Music Entrepreneur: Irving Fine + MORE

Young musicians are fortunate to have many role models from previous generations. One potent example of an admirable music entrepreneur during the twentieth century is a man named Irving Gifford Fine (1914-1962). Read more: Irving Fine, Brandeis, Harvard, Classical Music, Boston Orchest.... More »
conductor

Towards creating new opera - the Helios Collective's Formations masterclasses + MORE

On Friday 6 November 2015 I went along to Formations, the first of a series of masterclasses being organised by the Helios Collective in which three short new operas are given supportive coaching by luminaries such as Stephen Unwin, David Parry, Kasper Holten, and Stephen Barlow. These culminate in .... More »
 Puccini: Turandot, Chorus Generalitat Valenciana, Orchestra Comunitat Valenciana, Zubin Mehta (conductor), Palau de Les Arts, Valencia, 11.6.2014 (JMI)   Cast: Turandot: Lise Lindstrom Calaf: Jorge de León Liú: Jessida Nuccio Timur: Alexander Tsymbalyuk Ping: Germán Olvera Pang: Valentino Buzza Pong: Pablo García López Mandarin: Ventseslav Anastasov Altoum: Javier Agulló Production: Palau de Les Arts Direction: […]

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Carlos Kalmar leads orchestra, cast and chorus in Berlioz’ classic as the Grant Park Music Festival moves indoors for two nights.

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Dogstar 10: Experimental Music Concert Series in Los AngelesThe annual Dogstar Orchestra concert series of experimental music has been going in various locations in and around Los Angeles since May 30. The venue on June 10 was the Wulf, a converted industrial loft space on Santa Fe street downtown, and a good-sized crowd settled in for an evening of spoken and electronic works…

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A voice to die for – and looks to match

Continue Reading On www.telegraph.co.uk »

Giuseppe Pennisi enjoys ‘Orfeo e Euridice’ at the Maggio Musicale Fiorentino, and surveys the different versions of Gluck’s opera

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Dogstar 10: Experimental Music Concert Series in Los AngelesThe annual Dogstar Orchestra concert series of experimental music has been going in various locations in and around Los Angeles since May 30. The venue on June 10 was the Wulf, a converted industrial loft space on Santa Fe street downtown, and a good-sized crowd settled in for an evening of spoken and electronic works…

Continue Reading On www.sequenza21.com »

Last week amounted to a floodgate of new music being opened: from a few new subscription-series pieces per season from major figures and some encouragement to young talent by way of CONTACT! commissions, the Philharmonic and partners performed well over 60 pieces from composers of all stages and many walks of life.

Continue Reading On www.newmusicbox.org »

Richard Wagner Supports Constantin Frantz's Denunciation of Prussian Militarism and Pan-GermanismWahn! Wahn! Überall Wahn!Wohin ich forschend blick’in Stadt- und Weltchronik,den Grund mir aufzufinden,warum gar bis aufs Blutdie Leut’ sich quälen und schindenin unnütz toller Wut! Madness! Madness! Everywhere madness!Wherever I searchingly glance,Through chronicles of cities and the world,The grounds thereof to find,Why, to the point of drawing blood,People torment and mistreat each otherIn senseless frenzied rage!Hans Sachs’ Monologue from Die Meistersinger von Nürnberg In 1869, Richard Wagner dedicated the second edition of his Oper und Drama to Constantin Frantz (1817–1891)…

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Arise, Sir András!

– jessicamusic.blogspot.com

And it’s a knighthood for maestro András Schiff in the Queen’s Birthday Honours. It couldn’t happen to a better guy or a finer artist. Congratulations! More here: http://www.wigmore-hall.org.uk/about-us/news/sir-andr%C3%A1s-schiff

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From Marschallin to Moses

– davidnice.blogspot.com

From Marschallin to Moses‘That’s the first time actually I’ve ever been moved by the words of The Ring alone…I normally find that the text alone makes you yearn for the music, but that seemed quite wonderful to me.’ Thus Michael Tanner, lecturing on Götterdämmerung, about Dame Harriet Walter declaiming Brünnhilde’s Immolation Scene in its various incarnations and her husband Guy Paul reading Wagner’s stage directions…

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Celebrations in Liverpool

– www.planethugill.com

Celebrations in LiverpoolVasily Petrenko & the Royal Liverpool Philharmonic Orchestra© Mark McNultyThe Royal Liverpool Philharmonic’s 2014/15 season will be celebrating both the 175th anniversary of the Founding of the Liverpool Philharmonic, and the anniversaries of Tchaikovsky (175) and Sibeliuis (150). Not only that, but the refurbished Liverpool Philharmonic Hall will reopen in November 2014, cause for celebration indeed…

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At one time the expression ‘Cheltenham, Symphony’ was used as a disparaging term. Peter Pirie in his The English Musical Renaissance (Victor Gollanz, London, 1979) states that the phrase ‘was coined to describe a work in simple-minded sonata form, simple-minded tonality, and simple-minded faith in a scissors-and-paste method of composition…

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Music Review: ‘Atthis,’ a Searing Monodrama by Opera Cabal and ACMEGeorg Friedrich Haas’s “Atthis,” a monodrama based on texts by Sappho, had its staged premiere at the Kitchen on Thursday.

Continue Reading On www.nytimes.com »

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